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10 Aug 2016  |  North America  |  Market Research

Global Digital Broadcast and Cinematography Cameras Market

Demand Saturation Slows Total Market; Lower-Priced, Flexible Products will Drive Purchases

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This research service examines the global digital broadcast and cinematography cameras market. Detailed market trend analyses, including market drivers, market restraints, technology trends, and segment analysis, are provided. Revenue forecasts are projected through 2020. The global market has been segmented into North America and Latin America; As...

This research service covers professional cameras that are used by broadcasters and cinematographers to shoot video. For the purpose of this study we have looked at four types of cameras based on their area of deployment- digital studio, cinematography, ENG (electronic news gathering) and EFP (electronic field production). Evaluation of the market ...

Encoding is defined as the process of turning analog video into digital formats. This research service is the first in the series of coverage of the 2010 world digital video encoders and transcoders market. This research service analyzes the trends in the world broadcast and DTT video encoders market. Impacted by the recession, the world broadcast ...

This study analyses the broadcast and cinematography digital camera market. Frost & Sullivan defines a digital broadcast camera as a device that enables the capture of moving images in a digital format for both indoor (studio) and outdoor broadcast (OB). A digital cinematography camera is defined as a device that captures moving images in a digital...

14 May 2021  |  Global  |  Market Research

The COVID-19 Pandemic has Compelled a Shift to Cloud-based Video Workflows for Remote Production and Distribution

The Media and Entertainment (M&E) Video Transcoding Market is Seeing More Opportunity for Virtual Solutions

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This Frost & Sullivan study analyzes the global media and entertainment (M&E) video transcoding market (the base year is 2020). Video transcoders are used to convert content from a single input source to a wide array of output formats, definitions, resolutions, and file or live formats. This enables video to be delivered to diverse networked and ha...

Over the top (OTT) monitoring and compliance (M&C) solutions often overlap with complementary software solutions, such as quality of experience (QoE) and quality of service (QoS) measurements for the distribution of video over streaming services. Most OTT monitoring and compliance vendors have proprietary software and use a combination of servers, ...

The broadcast and DTT video encoders market earned almost $322 million in revenue worldwide in 2013. Revenue is expected to grow at a compounded annual growth rate of 7.5 percent over the next five years, driven by ongoing digitization in almost every region except North America (NA), upcoming network refresh cycles in fully digitized countries, up...

Digital Rights Management (DRM) and Encrypted HLS are the most commonly used content protection technologies today. Both approaches have a strong track record in terms of securing proprietary content. However, content owners/providers that are focused on streaming media are  more likely to be interested in Encrypted HLS as it is simpler and less ex...

The importance of download as a feature within OTT services and how it may be a big business opportunity for AVOD providers cannot be overstated. But this will only hold true if the technology can work seamlessly with existing apps and ad-based revenue models. More OTT services, both AVOD and SVOD, must start including downloads as an option, to en...